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Being a lone stalwart in a digital world of photography


OK, maybe stalwart is probably too strong a word. Though you have to confess it is now unusual to be a user of film cameras and film itself in a world that has taken up digital photography like a fish to water. It makes sense, it’s a reflection of the way we live now. Film itself was a product of consumer convenience and just like Kodak bringing film to the market in the late 19th Century; digital has found a method for us taking photos that fit the majority’s convenience just the same way film did in displacing wet plates and associated processes (although they still live on in pockets.)

So I have been asking myself lately : is it time to get a digital camera, why should I consider it?

The answer is no. I gave it some serious thought with something like the Canon S90 (I have very little time for SLRs, modern ones that is) or similar like the Panasonic LX3. I could use it for snaps and have the convenience of uploading pics, fiddle in Lightroom, and send them down to the lab for my prints. Easy! And yes it is easy and yes I can understand entirely why this suits most people.

There again, I love the simplicity of using film. And that is where my idea of getting a digital camera fell flat on its face.

Digital cameras are simple, but if you want to push them a little beyond the program auto mode, there’s menus and histograms and flash modes and white balance settings, not to mention ISO set through a menu and the aperture (what control you may have) and so forth – and I really cannot be bothered with all that. Some cameras are better at this than some.

What I like about my Leica and Autocord (and by extension OM2n largely) is that I am experience enough to more or less manually meter in my head, I don’t need auto exposure. (I.e. I know on a bright day in the shade or undercover, ISO 400 film that I’m gonna get a good shot at around f/8 1/250th, maybe 1/500th if the shade isn’t too deep. So all I have to do is load the film (easy), and just set by some knobs or rings on the lens my settings and of I trot, focus, snap, focus, snap. I love this. I love the fact that I’m not shouted at by an LCD screen with all the stats reminiscent of a James Bond or Mission Impossible gadget sequence. Colour negative film is so good these days that I don’t need to worry about white balance, and the colour reproduction is great so all I gotta do is meter accurately, that’s it. That’s what I love about my old equipment.

It does of course need some skill and for most people the digital camera is a godsend, making money from photography is probably much easier by using digital in the most common sense e.g. photojournalism, weddings, portraiture etc. But that’s not for me, I like my no fuss antiques!

And here comes the double whammy for me – I love the look of film. Sure you can replicate it in Photoshop, but I like the physical part of the film process, from loading that camera, processing that film and working in the darkroom to make that print with my hands. I like all of that. I like the fact that I can experiment with different processes, from working in colour to looking at doing lith prints.

All of this suits me just fine. I know what computers can be like, so the fact that the worst that can happen is that the enlarger bulb blows or a fuse blows is trivial for me to sort out. If I have a camera problem with the Leica or the Autocord, I can send them off for repair as they are all entirely mechanical with no electronic components that are no longer manufactured. It’s all pieces of metal and parts which with a suitably skilled pair of hands could be recreated.

So in the end for me, the simplicity of it all is a big winner. That doesn’t suit everybody, some people love the histogram and all the other gubbins that helps nail a shot, for me I don’t give a monkeys about any of that as its not my style and my work isn’t critical to my income or reputation – the joy of been an amateur.

If I worked professionally, I could foresee the need for a digital camera but you can bet your bottom dollar the moment I get back home and back into my own thing, film’s the only thing for me. Yes it costs more per shot than digital, but I enjoy the whole process so much it doesn’t matter. 20-40p to develop a film, a few pence literally for a 10×8 RC print (this is including the cost of chemicals) or less than 50p per colour RA4 10×8 print, maybe a bit more for fibre prints – all in all, I’m much happier doing it this way than changing printer cartridges and solving printer driver or paper jam issues.

Though I wish I could solve the issue of having my arm in the way of the enlarger light source when I start a print, d’oh!

This is a personal opinion, if you feel offended by this, please grow a thicker skin and understand I also appreciate your opinion. I’m not trying to change yours. :)

Written by lilserenity on February 20th, 2010 with no comments.
Read more articles on Computing & Technology and darkroom and Digital and Film and Photography and otherSoftware and Photos.

What drives me?


I have spent a bit of time this year when it’s been quiet (don’t laugh!) to try and plumb the depths of what it is that drives me to write and particularly photograph the things I do. Before we go any further there is good reason to pair that down even further because what I photograph can largely it seems be broken down into two categories: the stuff I like and the stuff I like. Confused? Yeah, me too.

Ok let me try and enlighten. As I see it there are two types of thing I photograph: things I just like. There isn’t much too it, I see something I like and I take a picture of it. That’s the first type. The second type is subtly different but different enough to be quite different. The second type is something I like but have a complex relationship and emotional reaction to – meaning that what I have taken the picture of I like because of what it reveals to me, not because I physically like what I see. This probably makes very little sense so let me give you an example. A picture of a run down house. I don’t like the sight of the run down house, I’d rather it was a quaint cottage, but it’s not. I like it because is conjures a deeper emotion in me, creates a mindset, it allows me to peek underneath the surface of something that is hard to put into words. It’s almost something that reveals a super-reality, a sort of surrealist impression of something. Generally the second type of picture isn’t really in some ways all about the picture at all, it’s about how it makes me feel.

The thing is though I don’t know what I am trying to say, what message I am trying to give out, it’s just a feeling and this seems to be more than anything to be connected to things I reacted to as a child. And why I reacted to them then is an impossibility that I’ll never know the answer to.

It seems it’s these early experiences that I am sure just like everybody I find I am driven towards to explore and try and figure something out from them. On the simplistic level I am just taking pictures based on this and finding out more about these things now that I am older and have the capacity to be able to do so.

So what things? Well, bizarrely enough some people will work to exclude a pylon or a motorway from a picture but sometimes I’ll work them in. I don’t know why, but I remember being intrigued by pylons when I was little, and motorways, and just generally being on the move going out for the day sat in the back of the car. It was contrasts between those definitely urban and human forms against the natural landscape that they all cut through. Relatively speaking I grew up in rural Oxfordshire/Buckinghamshire (first Thame and then Haddenham just outside of Aylesbury) in those formative years so anything urban quite greatly contrasted with what I was used to. Especially as we were always visiting family in North West London, Ruislip and Watford are pretty different to Haddenham! And so was Milton Keynes…

In essence it seems that the second type of picture I take, of the things I like because they reveal something seems to be intrinsically linked to experiences and things I was intrigued with from a young age. As I have grown older I have been able to explore those things on a much greater and wider level and extend it to other things such as other urban environments I would like to photograph (e.g. Metroland (NW London – think Rayner’s Lane, Ickenham, Hayes, South Oxhey etc. or Thamesmead.)

This of course fights it out with my beloved Sussex and South Downs where I live; I am equally passionate about both and it’s just a tug of war between the two things all the time.

In my photography there seems need to be the sense of a journey or progression, of going from one place to another, or the passing of time. The feeling of being on the move excites me a lot, be that in the car, on the train or walking somewhere. Even the amount of times I have driven up to Milton Keynes for Impression Milton Keynes, I enjoy it every time, looking at everything, the motorway gantries and the aircraft over Heathrow, the feeling you get as the car bounces over the joints in a bridge at speed – the feeling of being on the move and things happening I find quite exciting, like an adventure.

Connect this all together and what you end up with enthusiasm, bundles of it.

I feel like I have only scratched the surface of what I am about when it comes to my photography, what I am trying to capture. And I think it’s best leaving that to the pictures themselves. Am I a surrealist? I would say no, but then I don’t see myself as anything because I just take pictures. I’d be inclined that I am trying to reveal something but I don’t know what that something is, except for trying to peel back the layers of feelings I had about places and things when I was little. I’d be inclined I struggle to communicate that in the photos and even if a drop of this was evident to a few people in Impression Milton Keynes I would be very very surprised, astonished even. They are just pictures, pictures of things I like and of things I like…

Written by lilserenity on February 18th, 2010 with no comments.
Read more articles on Ruislip and Metroland and Philosophy and Super Reality and Surrealism and Watford and Thamesmead and Milton Keynes and Places and Travel and otherSoftware and Pictures and Writing and Life and Walking and Urban and Photography.

Using Windows Live Movie Maker to Share Experiences

About a month ago, I took a trip to Mt. St. Helens while returning to Redmond from Portland. It was a beautiful day and thought I would shoot some video and take some photos for readers of the blog who may not be able to make it to the Pacific Northwest. And to bring it all together I used Windows Live Movie Maker. I shot both video and photos with my new Canon PowerShot SX20 IS. The PowerShot SX20 IS shoots both 12.1 megapixel photos and 720p HD video.

I used Windows Live Movie Maker to bring together all the clips of videos I shot (edited of course to make sense) with several photos spliced between the clips as I headed up the mountain. Windows Live Movie Maker is great for bringing both video and photos together into a single project that you can then then publish out as a video to be shared with others like friends and family. I like to think of using Windows Live Movie Maker to take in content from an experience from a location (or multiple locations), bring it all together, and make it sharable.

  moviemaker

As you can see in the above screenshot, my “project” in Windows Live Movie Maker wasn’t too complicated – 4 video clips and 10 photos. I added a few animations to the photos (static photos are too boring!) and transitions between both the video clips and photos too.

I edited the project in widescreen 16:9 which is the native aspect ratio of the video I shot. You’ll notice the photos are also in widescreen. This took some extra part on my part to make happen. I wanted the end-result video to be completely 16:9 widescreen and 720p HD which is 1280x720 in resolution. Because my images were all at a very high resolution, I used Paint.NET 3.5 (now updated to 3.5.1) to edit the photos down to 1280x720 to fit the resolution of 720p HD video.

So here’s the end-result video:

You can also check out my Flickr set of Mt. St. Helens photos from the trip here. I uploaded these photos to Flickr via Windows Live Photo Gallery. I also created several panoramic stitches in Windows Live Photo Gallery as well which are included in the set.

Mt. St. Helens Stitch 1

You can download both Windows Live Movie Maker and Windows Live Photo Gallery as part of Windows Live Essentials here at http://download.live.com today if you haven’t already!

Remember to check out the Windows Live Movie Maker Holiday Contest too!

Written by Brandon LeBlanc on December 9th, 2009 with no comments.
Read more articles on Windows Live Movie Maker and otherSoftware and movie and Windows 7 + Windows Live and 720p and Movie Maker and windows 7 and Paint.Net and HD Video and Photo Gallery and Digital Memories and Photography and Windows Live Photo Gallery and Windows Live.

Melancholy and Returns


Kodak seems to have mislaid one of my rolls of Kodachrome which I shot walking the North Downs Way in June. Ahhh good times, sun, the open track, hard graft, great views and a sense of achievement. Wonderful, much more meaningful than a lot of the crap in day to day life I guess.

Anyway, if anything it’s a blessing in disguise because I’ve been feeling a bit sad that my adventure for this year is over. I had a tremendous amount of fun as ever, I guess I just love being out there and free.

So, in lieu of me feeling a bit melancholy and missing that adventure, having lost a roll of film and indeed the weather on the day concerned being what we call in the trade, “thoroughly pap” (i.e. crap) I thought I’d walk it again one weekend in August.

That’s basically Ranmore Common to Westerham via Box Hill, Reigate Hill and Tandridge Hill. I have 5 rolls of Kodachrome still in the fridge so I can take two rolls, shoot it, do a good job on some good weather and hopefully not have Kodak mislay these rolls (in fairness, this is the first of however many rolls of KR64 I sent them that got lost, I’ve probably shot around 80-100 rolls of Kodachrome in my time…)

It’s a bit crazy as I know the day I walked from Ranmore Common to Godstone was a long old day but damn was it good fun. Hard going fun.

The kind of thing that makes life thoroughly amazing and worth living. The best things in life have to be worked at, and are often hard going. But there was never any sense of accomplishment of watching Jeremy Kyle. Though, on second thoughts, anyone who can make it through a whole episode of that without wanting to throw the telly out the window has my admiration.

So, back off to the North Downs then :)

All in between me enjoying the South Downs and finishing my B&W Photography Magazine, B&W Photographer of the Year entry… Eeeep!

Written by lilserenity on July 31st, 2009 with no comments.
Read more articles on Kodachrome and melancholy and North Downs Way and otherSoftware and Uncategorized and memory and Photography.

Nostalgia and This time last year


I haven’t written much here lately. Not for bad reasons, just been busy making the most of summer and that is in some respects why I am updating my blog on Saturday afternoon – I have been out and about so much that my flat has turned into a dump! So I’m having a day of cleaning up, mopping, hoovering – everything. Later on today I’ll be off out to take a photo of a subject I need for my entry to Black and White Photography Magazine’s B&W Photographer Of The Year competition (something I don’t anticipate getting anywhere with but I’m giving it a go, and the end result is 4 prints I will like and hang on the wall even if the critics think they suck!

This time last year

Today a year ago I started walking the South Downs Way, and since then in June I walked the North Downs Way. A combined distance with all the to-ing and fro-ing of probably 380 miles. I’m quite a nostalgic person and I own a pair of rose tinted specs for every day of the year ;) but it did get me thinking a little, of how awesome it is to be able to just get out there and walk, enjoy the countryside and take photos. I’m actually going to do a print tonight of Gander Down which is where I walked through a year ago today, pure coincidence but a happy one all the same. (My subject is the South Downs.)

About three-four years ago I had got myself into a rut, one that I progressively made deeper and deeper, it taught me a lot in hindsight but I got in with the wrong people (again) and it almost destroyed me. It’s only now I’m looking back thinking, “What the… why!” I got myself into something I didn’t need to, probably only because I felt lonely and was having a hard time adjusting to the difference of being in University and then going into work, hardly trauma central but enough to unseat you, especially when you get made redundant  and then progressively all your friends move away back to their parents and you’re holding the fort out of stubbornness, blind stupidity and mostly a love of where you now live. This was in 2005/6 (before this recession) so I do feel for people out of work who have strong work ethic, signing on at the DSS is the most humiliating thing I’ve ever done.

And then there’s the stupid things I did in that time too, at the time I felt I should be doing them, and I learnt a lot, saw a lot (and I already had beforehand, life really ain’t all roses and sweet-peas I’m afraid, not for everybody anyway, but you can make your own life pretty OK if you try hard) but even though at the time I felt I should be doing these things, I look back and think what I damn idiot I was. But c’est la vie; it got me to a good situation now of where I know exactly what I’m doing and most of all, I don’t really have much but I’m now happy and even feel that I’ve got to really cram as much in as possible because life is so short!

Next year I have plans to probably do some more chalk-hill walking, Cotswolds Way is likely. I did think of Offa’s Dyke but I also want to go to France for a week and 2 weeks of holiday one for walking, one for France eats half of my annual leave, let alone taking 2 weeks for Offa’s Dyke and 1 week for France, I’ll be left with nothing for the rest of the year virtually.

Nostalgia

Last night I sat down and went through 4 boxes of Kodachrome slides I got back from walking on the North Downs Way. (It equates to the first 4 1/2 days of walking) I swear that looking at projected slides is one of the biggest things people miss out on with digital photography. I don’t like engaging in any trivial spats like digital or film, Mac or PC etc. but the cost of a 1080p projector (which doesn’t have the resolution of projected slides) vs. a half decent slide projector and some well exposed chromes is an experience so many are now not enjoying. The richness of the colour, the detail almost dripping off the slides. Gorgeous stuff.

Anyway, it was lovely just to sit there and “re-walk” that part of the North Downs, really casts the mind back and it was most enjoyable. It’s much more enjoyable to look at a print or a slide projected than looking at something on a computer screen I think, much more detail and saturation (whatever you use, including digital) and this year alone I have had 4 or 5 people loose their PCs due to hard disk failure and you guessed it either no backups or very little, losing all of their photos!

They’re now backing them up thank goodness but it worries me people aren’t looking after their slides, negatives, JPEGs or RAW files as well as they should. Get prints, get photo books done (one of the amazing things we can now do easily due to digital), store those slides properly, just get hard copies and back up any scan files or pictures from your camera. It’s so so important, otherwise we all risk losing a great deal of photographic history of our time on this planet.

Written by lilserenity on July 25th, 2009 with no comments.
Read more articles on North Downs and Walking and Idiots and crazy shit and memories and Life and South Downs and Photography and otherSoftware and Travel and nature and Photos.

North Downs Way


I haven’t written anything since I got back about my sojourn across the North Downs, a 132 mile hike from Farnham in Surrey to Dover in Kent via Rochester and Canterbury. The biggest reason as it stands has been my:

  • Very busy couple of weeks since I got back
  • The depressing fact that a year on I have still to pull my finger out and finish writing about the South Downs Way which I did almost a year ago now.

But there have been other reasons. When I started the South Downs Way I knew and still will produce a photo book on the South Downs Way but the flaw was trying to shoot it all in ‘one-sitting’ and whilst this is true to the journey, it has produced some of my favourite photos but also some that I am less than enamoured with. The upshot is that I’m going to need to re-visit the trail and photograph it again. Not exactly a bad thing in my book! So this project whilst very much swept aside for me to get on with impression:mk is alive and I am sticking with it. I just have to get these things right and there is no need to rush (unless of course I die tomorrow in which case i need to get a shift on!)

The other reason is a biggie, but that hasn’t stopped me getting on with it in the same way that say my birthday, barbeques, the pub (a few times admittedly!) and doing some extra work outside of the day job has done. But it has made me stop writing about it in yet another diary like fashion. Why?

I have long shrugged off or indeed acknowledged/struggled to find that any work of mine (photographically or written) has a philosophy, there is one but it’s not exactly obvious and probably still isn’t to me. But I do know what I am interested in and I’m now old enough to not give a damn about whether people think it’s odd, weird, deranged or obsessive. Which is a good start because there is nothing wrong than wanting to say photograph in black and white maybe the underside and underbelly of industrial Birmingham with its urban motorways and canals and decayed industry and social housing but not being able to do so because you’re worried a friend or all your friends are going to look dimly on it. Now, the latter is also something I will do (when I get time) but I’ve completely got over the whole keeping up appearances for friends, I am what I am and if you don’t like it do yourself and me a favour and kindly show yourself the door darling.

But behind this in the things I have attempted to write, and the things I do photograph of my own volition have been informed by something, or a series of somethings that are never entirely in isolation but do quite often float in the ether encapsulated all by themselves. Quite often these things are entirely subjective, subvocal, hidden and emotional and its hard to explain them except through a photo, or a sentence/paragraph that forms part of that overall patchwork of experience which describes where I am at this time, and what has gone before to bring me here in this frame of mind.

Without drifting needlessly into the obtuse, walking has always given me the freedom to think clearly. Whether that’s drifting around London or Brighton, or out in the wilds of the Downs or indeed the North Downs it hasn’t really mattered. The car, and to a lesser extent the train give you a sense of movement and an interesting perspective on how the landscape and your viewpoint shifts with that movement, but it’s nothing like the view you get when walking, which awakens and feeds that curious appetite. The bus for me does none of these, there’s no romance or emotion in that transport. It’s as utilitarian as a girdle (unless you have a girdle fetish, not that I am suggesting bus buffs are… Someone help me out of this hole!)

Walking this time seemed to sew up some kind of philosophy, it’s very quirky but it makes some sense. And so rather than write just a series of daily diaries of each day on the North Downs Way I’ve decided to work it into a wider remit on photography, subjectivity and philosophy of an art form and indeed maybe even a little of life. It’s hard to explain succinctly otherwise there would be no point in writing a book but it’s non-fiction and most definitely not a Kerouac-inspired journey dialogue. It is really a photography book, it might not be “Mastering Photoshop CS4’ or ‘The Dummies guide to Digital SLRs’ (I have no idea if those books exist but I bet they do, and I bet they are really really boring, bit like what I write then *chuckles*) but it’ll be interesting none the less.

The photo that summed this up for me is one I am still waiting back for, but maybe that’s it, a photo can make sense even with it not present if the thought behind it is sound. I was sat at Gatwick Airport station, on the final leg back home to Worthing, Day 14 of walking and I had done it, I had walked every inch from Farnham to Dover. And I was sat on the floor of the platform in the sun, it was nice to stretch out the legs but you get interesting perspectives on different levels. Ahead a lady, perhaps a flight attendant still dressed up glamorous strolled down the platform towards the incoming train and ahead a train was moving north to the far-side platform, the sun was bright. And it was hot (never start a sentence with a conjunction – except when it works for effect.) Long shadows carrying the cerebral and emotional baggage we all hide following in tow and the sky was pitch perfect blue. The departure board scrolling across for the Brighton 1842 or something like that fringed by its bright yellow metal armature which burst out uncontrollably against the navy skirt-suit of the what I have now decided is most certain an air-hostess. And in that pitch perfect blue sky a plane is coming into land taking people back from their escape, and the train is here to carry some away too on a hot Sunday noon. Why and what is all this for, each little step and snatched glance, with every uttered word what are we doing it for. Are we always In Search of Sunrise?

And photo sums it up for me what this book is about and that’s the book concept/title too, In Search of Sunrise. It’s a quirky idea but it makes sense. It’ll be a good antidote to ‘1001 Digital Photography and Adobe Lightroom Skills: The Ultimate Guide to everything.’

Written by lilserenity on July 4th, 2009 with no comments.
Read more articles on Philosophy and North Downs Way and Walking and The Beats and Air Hostess and Kodak Moments and Kodachrome and Urban and Life and books and otherSoftware and Travel and nature and Writing and Literature and Photography.

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